I finally got around to photographing all of the art that I created during the wonderful vacation that I took in May! This first image is of many different spreads that were (mostly) created while en route during my trip. For occupying myself during the car ride, I took my Jane Davenport Mermaid Markers (click HERE for my review), some black pens, and a small set Copic markers to pair with a Moleskine sketchbook. The four spreads below are the result of sitting in a passenger seat for about 24 (nonconsecutive) hours with those limited supplies. All four of these spreads are in my 5″ x 8¼” Moleskine journal.
Besides the small bag of art supplies and Moleskine journal, I also took a larger bag with many more mediums and journals. Among these other supplies were: watercolor paper and a small watercolor journal, my altered book journal, acrylic paints, Jane Davenport’s watercolor palettes, multiple waterbrushes, several Pitt pens, a white gel pen, a bag of collage material, gel medium, black & white gessos, and matte varnish. It sounds like a lot, but I knew that a week up in the mountains with no internet, tv, or cell service would be difficult for me when night fell—there are only so many books this night own can read! (I read three, by the way, or about 3000 pages of a comic series.) The first night in our rental property, a yurt, I played with Jane Davenport’s watercolor palettes, the Bright Palette and the Neutral Palette. The watercolor of a Buddha statuette is what came about that night, inspired by the motif of the yurt.
I was also inspired by the feminine faces that Jane Davenport in known for, which cover the majority of the packaging found on her supplies. Being an artist who very rarely does any kind of portrait work, I decided to attempt to use Jane’s watercolors to paint a face of my own. The image below was my attempt. Though the portrait is slightly overworked, I absolutely love the effect that I created in the pupils. This was done by dropping in some white (“Unicorn”) paint while the black (“Raven”) watercolor was still puddled up and wet. I definitely don’t hate this little half portrait for it being my first attempt at using Jane’s Neutral Palette!
After getting my paints wet, I decided later that week to work with them in an experimental fashion inside of my favorite art journal: my altered book. Knowing that this spread would be created mostly with watercolors, I covered the majority of my spread with white gesso. Being a lover of found ephemera, I also adhered some tissue paper that was wrapped around a blouse, which I had purchased earlier that day. Journal pages that include something tangible from my life—like the tissue paper—are always very special to me. The image below displays the journal spread in progress and remnants of the tissue paper.
As you can see, I had a large wooden table in the yurt to work on, and I spread out on it for 5 wonderful days! I wouldn’t say that I accomplished an incredible amount in that time, but for my first vacation as a working artist, I’m quite pleased with the quantity and quality of my finished pieces!
Have you ever taken your art journal on a trip? What supplies did you miss? (I so very much missed my collection of fluid acrylic paints.) What supplies were you thankful to have taken? (Those Mermaid Markers were pretty great for me!) Let me know in the comments below!