I am struggling with an art journal spread right now. Unfortunately, it’s the first one in my newest journal, which is not the best way to start! I purchased the Dylusions brand Creative Journal a while ago from a craft store, and while it’s a well known art journal book now, I had never heard of the item upon purchase. When I saw the journal, I was in complete awe of it’s thick pages, hard cover, handy inner pouch, and it’s unique horizontal elastic closure band; I had to own it! Well…now we’re fighting, and I hate to abandon it. Because of this current situation, I wanted to discuss how I “fix” my “ugly” journal spreads, and what that even means to me.
In my opinion, an “ugly” art journal spread is not necessarily ugly to look at, but causes it’s creator to become stumped and ultimately abandon the journal spread. Do you find yourself thinking, “I don’t know what to do next!” because you don’t want to ruin what you’ve already created? The moment that happens, my page becomes an unfinished and lackluster piece. I sometimes believe that abandoning a piece that’s almost finished helps to tell my story, but other times, there’s not enough imagery to even call it “good enough.” When that happens, and I feel like I can go no further, I know it’s time to cover up and create something fresh. I’ve had to start telling myself, “If I don’t want to ruin my journal spread, then it’s time to ruin my journal spread.”
I would like to share with you some techniques that I use to purposefully alter a stumping journal spread instead of abandoning it:
1. Take a XL paint brush, cover most of the spread in a dark colored (blue, purple, red, etc.) india ink, so that only hints of old shapes peak through.
2. Adhere collage material sporadically on the pages, covering the parts that originally controlled the spread.
3. Paint chunks of the page with a completely different color of opaque acrylic paint. (The change in color is always a huge inspiration!)
4. Drip inks and paints from the top of the page to the bottom, so as to hide some of the old imagery.
5. Use a large tipped marker (usually my black Big Brush Pitt Pen by Faber-Castell) and make huge doodles, creating new imagery or a new background to work on.
6. Find (or make) new imagery in a sketchbook that can be cut out and adhered to the spread as a new jumping off point.
I know that a lot of people will gesso an art journal page that they perceive as hopeless, but I don’t (always) mind if some of my original page peeks through; it makes for good background fodder. Also, unless you prefer to start with a stark white page, gessoing a page already thick with previous paint and collage material can be wasteful. If I plan to use acrylic paint or collage material in moving forward with a spread, then I know that the opacity of those items will be enough to hide my old pages, and there is no need to waste expensive thick gesso. If not using gesso to cover a spread, an artist does not need to step away for drying time, and the continuation of working on a piece will keep the artistic energy flowing. That being said, if you feel like you’re ready to just rip out your pages and throw them away, sometimes gessoing your piece and taking a breather is required!