Finished Spread “Internal Tide”

It took me about a week, but I’m finally motivating myself away from Murder She Wrote (I’m judging me, too) and back to the paint splattered  beauty that is my desk. I’ve had a gorgeous mess of dried Bombay India ink sitting in my journal for five days, waiting to be transformed from colorful anarchy to repurposed chaos; today, I obliged.

Photo Jun 21, 7 03 49 PM

“Internal Tide” Art Journal Spread Close Up: Center

Working with the India ink was a lot different that my usual acrylics. The thin ink moved more freely than what I’m used to, creating organic shapes and colors, whereas my usual paint needs more guidance. Painting with acrylics provides the artist with a substance that requires manipulation, but letting a drop of India ink flow freely next to a drop of a different color will create unexpected swirls or patterns that the user cannot control. Of course, this could be avoided with precision, paint brushes, and plentiful drying time, but where’s the fun in that?

Photo Jun 21, 7 01 58 PM

“Internal Tide” Art Journal Close Up: Left Page

Working with a more controllable substance has taught me to cause chaos that looks accidental, so being provided with a medium that does most of the hard work for me is both exciting and a little baffling. When I create splatters or blocks of paint, I already have a mental arsenal of the designs and patterns I can add to these acrylic arrangements of colors; when I lay inks down and let them move across my page, motivated only by gravity and surface tension, the movement of color is unique, which pushes me to find new ways to create atop it. Which is great…if I’m not in a slump.

Photo Jun 21, 7 02 29 PM

“Internal Tide” Art Journal Spread Close Up: Right Page

Well, luckily I decided my fingers needed a little busy work today, and working on art outweighs dish washing any day of the week. For those of you who have never worked on dried puddles of India ink, there is a gloss to the transparent ink that you will not find with inexpensive acrylics. I’ve discovered the matte white ink dries much chalkier, and as seen above, can even crack slightly after drying.

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“Internal Tide” Art Journal Page

 

I used Faber-Castell Pitt pens, Sakura of America gelly roll pens, and UniPosca Paint pens (my review is HERE) on this spread, accenting only slightly with tan acrylic craft paint. I’m not quite sure that I’ll flood my journal page the next time I work with India ink, but I was pleasantly surprised by the results of it. If you didn’t see the post where in which I talked about the set of Dr. Ph. Martin’s India ink that I purchased, which was used in the creation of this spread, you can find it HERE coupled with a YouTube video!

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