I’m one of those people who thinks they’re going to “ruin” an unfinished piece; it sounds crazy because how can you ruin something that may as well not even exsist, but I know I’m not alone in this fear. One of the things that I’ve discovered to help me overcome this fear is to create wild and chaotic backgrounds that include little or no details. This way, I can cover up any part of the page and not feel like I am giving up some great part of my spread to make room for something that might turn out mediocre. If the page has multiple points of interest, removing just one of them is not so hard for me.
Creating chaos is also one of my prefered methods because it doesn’t force me into a corner. Chaos begins (and can end up) as abstract forms. If I imediately create coherent imagry, I can become preoccupied with making sure that the rest of the page matches. Chaos gives me the ability to tell myself that things don’t need to make sense or look orderly. For example, if I painted an elephant on a plain page in my art journal, I’d begin to ask my self, “Should I draw a circus tent next?” or, “How do I fill in the space around it’s legs without obscuring them?” Thoughts like that disrupt my creative process so harshly that they often force me to step away from the art.
The following video shows you one of the ways that I create chaos for my spreads. I use 5 different colors of acrylic paint, two paint brushes, and a credit card to fill an entire spread with abstract shapes, paterns, and lines. This page is in no way finished, but will provide me with a wonderful base to add imagry, details, and if I so choose, words. Enjoy!